Looking
at a compilation of the works of Beatrix Potter (circa 1900), I'm taken
by the pleasurably detailed illustrations. Her artistry is superb, and
the content of her illustrations if quite a treasure of the trivia of
bygone days in England. The characters of the tales she chooses to
illustrate include mice and rabbits, sparrows and laboring tailors. Her
art is very realistic (in contrast to more cartoon-like children's
books). The blackbirds flock to visit the simple scarecrow the farmer
makes by hanging his coat in the breeze. The tailor works with fabrics
of lace and satin, cloth embroidered with birds and flowers. When his
energy fails, the mice take over the sewing while he sleeps, and they
stitch dozens of buttonholes. There's a sense that the artist was very
familiar with birds and mice, she creates such genuine connection
between the beasts and the reader.
I wonder if Walt Disney had
any of Potter's books when he was a child. His feature-length cartoon
musicals were filled with animated creatures - spirited, and aware,
whether mischievous or helpful. I was always drawn to the beginning of
Cinderella, with the mice and birds singing as they created a dress for
Cinderella to wear to the ball. It's possible he was passing down a
tradition of fairy tales and children's stories (in the new medium of
animated film), where the cats and humans and fish and rabbits and
crickets share the stage, share the humor, tragedies, and wonder of
life.
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